DIPTYQUES
Work Marie Combes
Les Tanneries, Amilly, FR
The image is, in my work, where the major process of elaboration takes place. “Diptyques” explores the limitations and constraints of the frame. The associations of images throw our perception of the very notions of space and landscape out of balance, and give us a new way of seeing, using the duality of a double perspective, and reconstructing a new and different space.
Photography is a process of capture, a desire to seize fragments of reality. “Diptyques” is a sampling process in the continuous flow of images, striving to achieve a representation in many ways similar to an edited film.
The visual form of the work in “Diptyques” and “Fugitives” is the result of an approach that is really a construction process. During this process I explore how a fragment of image matter moves through the arrangement, leaving its trail, and how it roams, not quite at random, through the chaos of images.
Commissaire d'exposition: Christophe Ponceau
http://christophe-ponceau.com/
http://christophe-ponceau.com/projects/pop-it-up/
Christophe Ponceau réunit le travail de Marie Combes, Anya Sirota et Jean Louis Farges avec les étudiants de Taubman College of Architecture + Urban Planning. POP IT UP, une installation entre paysage et architecture, explore le potentiel des lieux non-définis en suggérant la liberté et l’optimisme dans le déconstruit.
POP IT UP - Exposition du 8 juin au 29 septembre 2013
Les Tanneries, 234 rue des Ponts, 45200 Amilly, France
POP IT UP, JUNE 8, SEPTEMBER 29, 2013
FEATURING WORK
BY ANYA SIROTA + AKOAKI, MARIE COMBES, CHRISTOPHE PONCEAU
AN EXHIBITION OF CONTEMPORARY AMERICAN VERNACULAR @Les TANNERIES, AMILLY, FRANCE
Christophe Ponceau brings together work by artist Marie Combes, and Anya Sirota + Jean Louis Farges from Atelier AKOAKI, with architecture students from Taubman College of Architecture and Urban Planning. POP IT UP explores the architectural pleasures of coming-undone-ness and speculates about the spatial opportunities inherent in the provisional and the transformative.
